Reviews
Bounty of the Sea: On Brian Duffield’s Whalefall / Travis Shosa (10.16.2026)
In for a Scare: On John Sara’s The Poet Who Cried Monster / Travis Shosa (10.14.2026)
Power In Tenderness: On Lyn Rye’s Soft Blood / Archie Sagers (10.14.2026)
Hot Wolfman Summer: On Wolfmanhattan Project’s Summer Forever and Ever / Mark Gurarie (10.13.2026)
The Rooms Yet to Be Opened: On Kane Parsons’ Backrooms / Louis Pelingen (10.12.2026)
Clarity In the Haze: On Clearbody’s Bend Into a Blur / Zac Djamoos (10.12.2026)
Argentinian Dreamscape: On Tuka Wav’s Proshect I / Archie Sagers (10.12.2026)
What In Carnation?: On Rob Savage’s Other Mommy / Travis Shosa (10.9.2026)
The Hidden Enemy: On Paul Verhoeven’s Starship Troopers / Travis Shosa (10.9.2026)
Yearning Amidst a Fleeting Future: On Katie Pruitt’s Fools for the Fleeting / Louis Pelingen (10.9.2026)
A Rare Racket: On Mengers & Progreso Nacional’s VS. / Richard Villegas (10.9.2026)
Adventures In Introspection: On Frances Chang’s Psychedelic Anxiety / Travis Shosa (10.9.2026)
The Wizard of Wivenhoe: On James Sharp’s The Jangling Man / Fenn Idle (10.8.2026)
Breadth of Breath: On Pale Lungs’ Pale Lungs / Zac Djamoos (10.7.2026)
Big Country, Small Origins: On Turbo Pastel’s Turbo Pastel / Connor Shelton (10.6.2026)
Striking Gold: On Alejandro González Iñárritu’s Digger / Travis Shosa (10.5.2026)
Cerebral Shadow Stealer: On Dottie’s thief / Archie Sagers (10.5.2026)
A Faceless Portrait: On little image’s SELF TITLED / Zac Djamoos (10.5.2026)
A Chase That Never Stops: On Na Hong-Jin’s Hope / Louis Pelingen (10.1.2026)
Sludge Pop, Not Slop: On True Jackie’s Oh Um / Mark Gurarie (9.29.2026)
Timeless Witticism: On The Moderate Themes’ A Movie I Used to Love / Fenn Idle (9.29.2026)
Unreality Television: On Lance Oppenheim’s Primetime / Travis Shosa (9.28.2026)
High Batting Average: On Petite League’s Thrill Seekers / Archie Sagers (9.28.2026)
Old New Rave Made New New: On d’Lakes’ Heaven Is a Silent Disco / Travis Shosa (9.28.2026)
A Rally Cry for Better: On Rosie Tucker’s UTOPIA NOW! / Travis Shosa (9.25.2026)
An Overdue Arrival: On Samantha Urbani’s Showing Up / Zac Djamoos (9.25.2026)
Loud and Empty Feelings: On Curry Barker’s Obsession / Travis Shosa (9.24.2026)
So Much to See Under the Costume: On Casper Kelly’s Buddy / Travis Shosa (9.23.2026)
An Apocalyptic Playpen: On Chemtrails’ The Joy of Sects / Travis Shosa (9.23.2026)
Hedonistic Horror Show: On Quinton Barnes’ For the Love of Drugs / Travis Shosa (9.23.2026)
Holistic Dynamics: On Brutus’ Unison Life / Zac Djamoos (9.22.2026)
Chasing Sparks: On Billy Tibbals’ Nightlife Stories / Travis Shosa (9.22.2026)
Excellence of Execution: On Local Rabbits’ Basic Concept / Travis Shosa (9.22.2026)
Autopsy of a Clown: On Dim Wit’s Dim Sh!t / Travis Shosa (9.22.2026)
Winking In the Face of Evil: On Zach Cregger’s Resident Evil / Travis Shosa (9.21.2026)
Laughing Backwards: On Whitmer Thomas’ The Older I Get the Funnier I Was / Fenn Idle (9.21.2026)
A Heady Brew: On Frog’s GROG / Travis Shosa (9.21.2026)
Filling the Empty Space: On Westelaken’s I am Steaming Mushrooms / Travis Shosa (9.21.2026)
I Want You to Know: On Dmitriy Kogan’s Scotty Plays Guitar / Travis Shosa (9.19.2026)
Rock On Forever: On The Lemon Twigs’ A Dream Is All We Know / Travis Shosa (9.19.2026)
Spreading Their Wings: On Polkadot Stingray’s odoru yō-ni / Travis Shosa (9.19.2026)
Gotta Beat Your Record: On Marjorie -W.C Sinclair’s 22nd Chances / Travis Shosa (9.19.2026)
Nothing on the Page: On SPRINTS’ Letter to Self / Travis Shosa (9.19.2026)
Pure Classic Pop Craft: On Bob Cummins Jr.’s Good American Songbook / Travis Shosa (9.18.2026)
Rhythm and Somatic Consciousness: On Eva Alter’s Autocartographies / D.W. Baker (3.25.2026)
Song Spotlight: My New Band Believe’s “Love Story” / Travis Shosa (3.19.2026)
Wicked Grit Lit: On Donovan Whitley’s Wickedness and Folly / Hugh Blanton (3.18.2026)
Medea’s Flower: On Ariana Reines’s The Rose / Hugh Blanton (2.2.2026)
Lost Girls: On Claire Adam’s Love Forms / Hugh Blanton (1.21.2026)
